In 1984 I was experimenting with Super-8 filmmaking, having been inspired by abstract cine-plastics and pixelation animation films and by the music I was listening to at the time: Glen Branca, Soviet France, etc... These are continuous rolls of 120 film multi-exposed end to end, as they mimicked the look of strips of motion picture film. The prints were meant to be seen as visual scores of the music I was listening to with a Walkman while shooting the strips.